AI Porn Generator
The opening feature: one fixed programme card, held across a whole run. Standard frames at 6 credits, premium reserved for covers.
Feature one: cast the muse
Every programme in this room starts the same way: a fictional adult woman, described once and described precisely. The standard model renders a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is kept for the frames that will front a set or anchor a profile. Between those two costs sits the whole craft of the generator, and it is a casting craft: the muse’s description is her programme card, and a programme card is never rewritten from memory halfway through a run.
Write the programme card with five fixed entries, always in the same order: her age as a plain number, 25 or over; her hair — colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature — the mole, the small scar, the ring she never removes — that lets a viewer recognise her even in a tight crop. Paste that card, word for word, at the head of every prompt. Beneath it, a single billing line carries what changes: the outfit, the room, the hour, the light. Hold the card steady and each new frame can be judged honestly against the last; let it drift and no model setting will bring the performance back.
The house method
Write the programme card once
Concrete entries survive a long run. “Long dark auburn hair in a loose side braid” renders the same woman at every job; “stunning hair” is a mood, and moods are reinterpreted at every generation.
Change one billing line at a time
Shoot a set in one setting under one light, then move a single element onward. A programme is built from deliberate single changes, not from re-rolling a prompt and hoping the star stays herself.
Keep the best third of the run
Generate generously at the standard cost, then cull hard against the card. Edits, swaps and upscales are finishing costs — spend them only on frames that held up on the private screen.
Where the frames play
A week of frames, shot in one sitting
Brief seven frames of one muse in one session, and the feed never waits on inspiration mid-week.
Cover frames and previews
The frame at the front of a set, made to the same standard as the programme inside it.
First frames for video
Stills composed with room to move — space around the subject, a direction left open — ready for the motion feature.
Two billings, one muse
“Fictional 34-year-old woman, long dark auburn hair in a loose side braid over her left shoulder, porcelain skin with freckles across her cheekbones; slate-blue satin balconette lingerie set with ice-blue lace trim and a sheer slate robe slipped off one shoulder, reclining across deep velvet cinema seats in a private screening room with a soft silver screen glow behind her, editorial photograph.”
Everything before the semicolon is the programme card — it never changes. The billing after it is the only thing new in this frame.
“Fictional 34-year-old woman, long dark auburn hair in a loose side braid over her left shoulder, porcelain skin with freckles across her cheekbones; the same slate satin set, standing against a plain pale studio wall, one shaft of evening light from the left, editorial photograph.”
A bare backdrop is the honest test of a programme card. If she is still herself against a blank wall, the card is sound and the run can be trusted.
Standard and premium billings
| Setting | Standard model | Premium model |
|---|---|---|
| Cost | 6 credits | 41 credits |
| Kept for | Series work, daily frames, volume | Covers, hero frames, the one image everyone sees first |
| Method | Generate many, keep few | Brief slowly, generate few |
Where performances drift
| Symptom | Cause | Correction |
|---|---|---|
| The muse changes between frames | The programme card was rewritten from memory | Paste the same card every time; vary only the line below it |
| The frame feels crowded and hard to judge | Too many objects and actions in one brief | One place, one action, one light source per frame |
| Hands and small props break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Can I generate anything for free?
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the cost of one standard frame. That is one new frame screened privately every day, for as long as you keep checking in. Credit packs are there for the days when the programme runs longer.
How much does a frame cost?
A standard frame costs 6 credits, shown before you confirm the job. The premium model costs 41 credits and is best kept for covers and hero frames rather than daily series work.
How do I keep the same muse across a whole programme?
Write her programme card once — age, hair, build, face, signature — and paste it unchanged at the top of every prompt. Change only the outfit, the setting and the light in the billing line below it, and judge each result against the card.
Are my frames public?
No. Frames rest private in your account, like a screening nobody else was invited to. Only what you deliberately publish appears in the gallery, and unpublishing takes effect immediately.
What size do frames arrive at?
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination demands more, the image upscaler at the end of the programme is the finishing feature.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator